Pink Loudspeaker • Issue #82

Weekly listings of UK and Irish sound art (12–18 May 2025)

Pink Loudspeaker is your definitive guide to contemporary sound art in the British Isles.

This edition covers all events that can be experienced across the UK and Ireland for the week of Monday 12th to Sunday 18th May 2025. Scroll down for details on over eighty sonic artworks, exhibitions, performances, workshops, and events across the UK and Ireland taking place this week.

In Issue #82 we cover sonic time machines, rhythmic tension, transcription discrepancies, domestic dawn choruses, subjective birdsong, listening with the land, sensorial moorlands, hybrid landscapes, touch-sensitive pulsating pipes, deep-sea mining, synthetic ecosystems, the insect apocalypse, and much more…

pinkloudspeaker.substack.com
Instagram: @soundartsuk
Bluesky: @soundartsuk

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A 200-year old mechanical clock is amplified in Phil Coy’s Sixty Beats Per Minute, installed at St. George's Church, Ramsgate, 2025. Photo credit: Phil Coy.

Phil Coy – Sixty Beats Per Minute
📍 St. George's Church, Ramsgate
🗓️ 02 May – 29 June 2025

Sixty Beats Per Minute is a site-specific work responding to a 200-year-old mechanical turret clock in St. George’s Church, Ramsgate’s oldest church. The installation has been created by interdisciplinary artist Phil Coy, who was commissioned by Art and Christianity, an interesting initiative which brings contemporary art into sacred spaces across the country. Coy’s practice has become increasingly site-specific in recent years, creating works which respond to architecture and their histories, privileging the sensorial experiences of sight and listening. Sound has played an important role in much of Coy’s practice, from his pre-millennial pieces using field recordings of Tanzanian rain and documented performances at the Denge acoustic mirrors; to more recent multi-channel sound installations, and permanent sound sculptures such as 2021’s Stereo Pair.

Installation view of Phil Coy’s Sixty Beats Per Minute, St. George's Church, Ramsgate, 2025. Photo credit: Phil Coy.

Sixty Beats Per Minute combines multi-channel sound and a large LED timecode display to comment on the shifting nature of time in the modern age. Coy has set up an array of microphones which amplify the mechanical sounds of the clock. These audio signals are sampled and then diffused into the church’s nave, tuned to the precise resonant frequency of the building itself. Every six minutes the clock and the sounds change direction; samples from the previous six minutes are now played in reverse, creating temporal and rhythmic tensions. In this respect, Coy has described the artwork as a sonic time machine of sorts where visitors can engage with the act of time, which appears to move in multiple directions, sometimes simultaneously.

Phil Coy’s Sixty Beats Per Minute runs at Ramsgate’s St. George's Church until Sunday 29th June 2025 (Friday–Sunday). The live stream from the exhibition can be accessed throughout the exhibition from the links below. A closing performance with dub record producer Adrian Sherwood will take place on Sunday 29th June 2025.

philcoy.info
sixtybeatsperminute.info
stgeorgechurchramsgate.uk
artandchristianity.org

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Heather Mullender-Ross’ All The Better To Hear You With installed at Allan Bank, Grasmere, 2025. Photo credit: Tracy Hill.

Heather Mullender-Ross – All the Better to Hear You With
📍 Allan Bank, Grasmere, Lake District
🗓️ 01 April – 21 Dec 2025

Another week and another interesting sound exhibition has opened in a National Trust property. Last week we covered new two installations currently set up in a National Trust estate in Greater Manchester (see Issue 81 for more details), and this week we head further north for a new show by artist Heather Mullender-Ross. All the Better to Hear You With is one of two temporary exhibitions at the Allan Bank estate near the village of Grasmere, nestled in the heart of the Lake District. It is very encouraging to see so many sonic artworks finding their home in spaces such as these, reaching audiences outside of the gallery.

Mullender-Ross’ practice often deals with archival materials, using methods of re-construction and re-enactment to reflect upon historical events. This exhibition focuses on bird song through a range of forms including sculpture, sound, and visual media. The artist has stated that these works deal with the “discrepancies between how sound is written, perceived or committed to memory,” exploring the shortcomings of attempts to translate and transcribe sounds, especially those of other species. Audiovisual work Domestic Dawn Chorus tackles these translations through attempts to recreate the sounds of the dawn chorus through various foley techniques. The work features footage of Mullender-Ross recreating the calls of birds through the manipulation of household items such as balloons, children’s toys, and crockery.

One of the objects used by artist Heather Mullender-Ross to replicate the calls of the Goldfinch in the audiovisual work Domestic Dawn Chorus, 2015. Photo credit: Heather Mullender-Ross.

Sculptural work, All The Better To Hear You With, from which the exhibition takes its name, looks at what is perhaps lost in translation; transcribing bird calls into visual scores via bodily gestures. The artist has documented the movements of her mouth whilst recreating bird calls, rendering the results as a set of printed index cards detailing the mouth across the many stages of audition. These verbal notations are to be considered as sonic scores. Like sheet music, these transcriptions are representative of the specific organisation of sounds and act as guides for future audition. Visitors are encouraged to follow along with the cards, mimic the artist’s facial movements, and perform their own highly-subjective versions of birdsong.

All the Better to Hear You With is installed at the National Trust’s Allan Bank estate, Lake District until Sunday 21st December 2025.

heatherross.online
nationaltrust.org.uk

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Andy Cluer’s Moorland (Score) 4, 2025, a visual score (graphite on paper) which documents the artist’s response to the Dartmoor soundscape. Image credit: Andy Cluer.

Andy Cluer – Moorland
📍 Kingsgate Project Space, London
🗓️ 16 May – 07 Jun 2025

Devon-based artist Andy Cluer presents a new solo exhibition at Kingsgate Project Space in West Hampstead. Much of Cluer’s recent work has focused on the parallels between auditory and visual awareness in relation to wild landscapes. Moorland, his latest exhibition showcases a collection of new audio and visual works that explore representations of the environmental experience. Alongside sonic works, the artist will present a selection of abstract visual scores, rendered in soft graphite on paper, which reflect the sensorial qualities experienced in the moors of south-west England. These new works were inspired by a research trip Cluer undertook to Iceland, where the unfamiliar landscapes instigated a new perspective for the artist to re-examine the moorland environments of home. These works prioritise the sonic aspects of how one can engage with the environment, asking how can listening help us to better understand our relationships with the land?

Moorland by Andy Cluer runs at Kingsgate Project Space in London from Friday 16th May until Saturday 7th June 2025. An exhibition preview takes place on Thursday 15th May 2025.

kingsgateworkshops.org.uk
andycluer.co.uk

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Installation view of Prototypes for Cyborgs – A Space Opera at the Regional Cultural Centre, Letterkenny, Ireland, 2025. Photo credit: Serhii Shapoval.

Prototypes for Cyborgs – A Space Opera
📍 Regional Cultural Centre, Letterkenny
🗓️ 12 April – 14 June 2025

Prototypes for Cyborgs – A Space Opera, an immersive exhibition of light, sound, and sculpture, recently opened at Letterkenny’s Regional Cultural Centre in County Donegal, Ireland. The exhibition is led by Dublin artist Mark Cullen in collaboration with sound artist and composer Tadhg Kinsella, digital artist Tadhg Ó Cuirín, interactive technologist Paul Green, lighting designer Mick Murray, and curator Valeria Ceregini.

Cullen has worked internationally for the last three decades, developing an experimental practice which moves fluidly across disiciplines, media, and formats. He founded Pallas Studios in the mid-1990s, a long-running artist-led cultural organisation embedded within the Dublin arts scene. The artist’s recent work employs painting, interactive sculptural forms, digital media, and multi-sensory technologies; and is driven by transhumanist themes inspired by the writings of influential theorist Donna Haraway.

The current exhibition in Letterkenny is described as a “hybrid landscape” where the gallery space is transformed into an interconnected ecosystem of interactive sculptures, audiovisual installations and virtual reality elements. The show reconfigures works previously exhibited at venues such as Culterim Gallery, Berlin; Diffusissima, Turin; and the Irish Museum of Modern Art in Dublin. Exhibited works include a fluorescent yurt; a transhumanist digital portrait of the artist’s “essence”; and the playable sculpture, The Nowhere Belly, a touch-sensitive pulsating mass of pipes and exposed wires that visitors can intimately interact with.

Prototypes for Cyborgs – A Space Opera runs at the Regional Cultural Centre in County Donegal, Ireland until Saturday 14th June 2025.

regionalculturalcentre.com
markcullenartist.wordpress.com

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Installation view of Emma Critchley’s Soundings at John Hansard Gallery, Southampton, 2025. Photo credit: Reece Straw.

Emma Critchley – Soundings
Brighton Festival
📍 Attenborough Centre for the Creative Arts, Brighton
🗓️ 16–23 May 2025

After debuting at Southampton’s John Hansard Gallery this spring, Soundings, the interdisiciplinary exhibition by artist Emma Critchley beings its tour around the country. From Friday the show will spend a week at the Attenborough Centre for the Creative Arts for the Brighton Festival, before heading to the south-west for a longer stint at Tate St Ives later this month.

Critchley’s practice is largely focused on the material and political qualities of water and in Soundings the artist engages with the controversial topic of deep-sea mining. The show provides an insight into the lives of deep-sea creatives and ocean cartography, with context from scientists, legal scholars and activists working in the field. The exhibition features a large-scale multi-screen installation utilising film, sound and live dance.

Soundings runs at Brighton’s Attenborough Centre for the Creative Arts, Friday 16th until Friday 23rd May 2025. The exhibition will run at Tate St Ives, Cornwall, from Saturday 24th May until Sunday 21st Sept 2025.

emmacritchley.com
attenboroughcentre.com
tate.org.uk/

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Installation view of Isobelle Munckton’s Hive at The Bomb Factory Art Foundation, London, 2025. Photo credit: Isobelle Munckton.

Isobelle Munckton - Hive
Who Runs the World
📍 The Bomb Factory Art Foundation, London
🗓️ 08 May - 01 June 2025

Isobelle Munckton is an emerging artist who explores ecological narratives and the more-than-human world through an interdisciplinary practice encorporating sculpture, sound, and moving image. Munckton’s sculptural sound work Hive is a large-scale piece which creates its own synthetic ecosystem from repurposed ventilation infrastructure. Within the sprawling sculpture there are three embedded sound systems which play layered field recordings of sounds from the insect world. The recordings resonate through sculpture’s network of industrial air ducts, giving the illusion that the work has been colonised, a host of biological life.

“Insect sounds were used to create the soundscapes due to the importance of insects for the survival of all species, serving as a metaphor for nature as a whole. The work takes into account the worldwide decrease in insect biodiversity and the potential for a future 'insect apocalypse'.” – Isobelle Munckton

Peviously exhibited at Aspex Portsmouth as part of Colony, last year’s Platform Graduate Award exhibition, Hive It is now being presented in a new iteration at Who Runs the World, a group exhibition which explores themes of labour and creative authorship, at The Bomb Factory Art Foundation’s Marylebone gallery in central London.

Who Runs the World runs at The Bomb Factory Art Foundation’s Marylebone gallery until Sunday 1st June 2025.

bombfactory.org.uk
isobellemunckton.co.uk

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An international recommendation:

Mariska De Groot’s BROM installed at OYFO Kunst & Techniek, Hengelo, The Netherlands, 2022. Photo credit: Mark Arends.

Hear Here
📍 various venues, Leuven, Belgium
🗓️ 24 April – 09 June 2025

Hear Here is a city-wide sound art festival currently taking place in the Belgian city of Leuven. Our focus is of course on UK and Irish events and we don’t want to make a habit of covering international events as we have enough to cover in our own shores but as the journey from London to Leuven is only 2.5 hours via the Eurostar we thought we would make an exception. After its launch in 2022, Hear Here is back for a second edition with another ambitious survey of contemporary sound art led by curator Gilles Helsen.

Edwin van der Heide’s Pneumatic Sound Field, installed inside a pavilion designed by Dutch architect Lars Spuybroek, NAMOC, Beijing, China, 2008. Photo credit: Edwin van der Heide.

Fifteen sound installations are currently exhibited in heritage sites across the city. The diverse programme includes historic works from some of the pioneering artists of the genre such as: Dick Raaijmakers’ Ideofoon I (1970), an ico­nic kinetic artwork which uses loudspeakers to vibrate steel balls and glass tubes; and Christina Kubisch’s The Conference of the Trees (1988), which reveals the hidden sounds of bon­sai trees through sets of bespoke elec­tro­mag­ne­tic headphones.

The programme also features installations from Turner Prize winning Scottish sound artist Susan Philipsz and Irish sculptor Lucy Andrews, alongside artists Adam Basanta, Budhaditya Chattopadhyay, Rudy Decelière, Mariska De Groot, Jonáš Gruska, Aernoudt Jacobs, Anouk Kellner, Anri Sala, Franziska Windisch, Edwin van der Heide, and Els Viaene.

Hear Here runs in various venues across Leuven, Belgium until 9th June 2025.

hearhere.be

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Opportunities

• Cockpit Studios in Deptford currently have an open call for sound artists to present performances and workshops for their Dialogues of Space event series. The venue are seeking artists from south-east London (prioritising artists based in Lewisham, Greenwich, Peckham, and Camberwell). Deadline: Friday 16th June 2025. instagram.com/springcafecockpit

• The newly-launched Sound + Environment Research Group at Newcastle University is seeking papers, workshops and artwork contributions for its inaugural symposium in September 2025. Deadline: Thursday 29th May 2025. blogs.ncl.ac.uk/sound-environment

• Sound Thought are collaborating with the Glasgow Science Festival for a second year. The collective will curate another installation at the Kibble Palace in the city’s historic botanic gardens in June 2025 and are seeking audio contributions for their multi-channel soundwork. Deadline: Sunday 8th June 2025. soundthought.co.uk + instagram.com/sound_thought

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Full listings

Everything on this week: 12th–18th May 2025

Below are over eighty sound art exhibitions, events, performances, public lectures, and workshops taking place across the UK and Ireland this week. Events and exhibitions are sorted by closing date. Opening hours may vary so please check with venues before venturing out! All London events are grouped together at the top, scroll down for events for all other locations across the UK and Ireland.

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🔊 LONDON LISTINGS 🔊

Huda Tayob – Unconfessed Architectures talk
📍 Paul Mellon Centre, London / online
🗓️ 14 May 2025

LCC/CRiSAP Sound Arts Lecture Series: Julia Eckhardt
📍 LCC, London / online
🗓️ 15 May 2025

Palestinian Sound Archive
📍 Total Refreshment Centre, London
🗓️ 16 May 2025

Robin The Fog – Vox Aeterna II
📍 DIVFUSE, London
🗓️ 17 May 2025

The Engine Room 2025: International Sound Art Exhibition
📍 Morley Gallery, London
🗓️ 28 April – 16 May 2025

Soundscapes Festival 2025
📍 Brunel University, London
🗓️ 14–16 May 2025

Jason Singh – Moonscales
📍 Kings Place, London
🗓️ 18 May 2025

Shenece Oretha & Sandra Jane Pierre – A Film Without Images workshop
📍 not/nowhere, London
🗓️ 18 May 2025

Wild Uploaded, Prequel
📍 ASC Gallery, London
🗓️ 01–18 May 2025

Ella Wong – Drifting Clouds / Sound of Sea
Shifting Grounds
📍 Hypha Gallery 2 Sugar House Island, Newham, London
🗓️ 18 April – 24 May 2025

Pete Gomes – Does the River Listen to the Trees?
In House: Ree Bradley and Pete Gomes
📍 Studio Voltaire, London
🗓️ 02 April – 25 May 2025

Send & Receive
📍 Hypha Gallery 1 Sugar House Island, Newham, London
🗓️ 18 April – 25 May 2025

Isobelle Munckton - Hive
Who Runs the World
📍 The Bomb Factory Art Foundation, London
🗓️ 08 May – 01 June 2025

Nora Turato – pool7
📍 ICA, London
🗓️ 09 April – 08 Jun 2025

Fari Bradley – PSA – Public Service Announcement
Fashioning Frequencies
📍 London College of Fashion, London
🗓️ 25 April – 21 June 2025

Nazanin Noori – THE ECHO OF PROTEST IS DISTANT TO THE PROTEST
📍 Auto Italia, London
🗓️ 10 April – 22 June 2025

You Make Me Feel (Jeanie Crystal, Zein Majali & Emily Pop)
📍 Southwark Park Galleries, London
🗓️ 05 April – 29 June 2025

Nassim Azarzar – Hayat al Noujoum / La vie des Étoiles
📍 The Showroom, London
🗓️ 26 July 2024 – 07 July 2025

Black Sound London: The Story of British Black Music
📍 Barbican Library, London
🗓️ 10 March – 19 July 2025

Michaela Yearwood-Dan – No Time for Despair
📍 Hauser & Wirth, London
🗓️ 13 May – 02 August 2025

Ed Atkins
📍 Tate Britain, London
🗓️ 02 April – 25 August 2025

Eija-Liisa Ahtila – Horizontal–Vaakasuora
The Power of Trees
📍 Kew Gardens, London
🗓️ 12 April – 14 September 2025

Marshmallow Laser Feast – Of The Oak
📍 Kew Gardens, London
🗓️ 03 May – 28 September 2025

Christine Sun Kim & Thomas Mader – 1880 THAT
📍 Wellcome Collection, London
🗓️ 17 April – 16 Nov 2025

María Magdalena Campos-Pons and Neil Leonard
📍 Tate Modern, London
🗓️ 10 March – 19 October 2025

Abbas Zahedi – Begin Again
Gathering Ground
📍Tate Modern, London
🗓️ 29 January 2025 – 04 January 2026

Felix Taylor - Hydraulis!
Secrets of the Thames
📍 London Museum Docklands
🗓️ 04 April 2025 – 01 March 2026

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🔊 LISTINGS FOR ALL OTHER CITIES 🔊

Joanna Penso – Body Synthesiser
Festival of Debate; Exploring Frontiers: A Rights of Nature Just Transition
📍 Dorothy Fleming Lecture Theatre, Sheffield
🗓️ 13 May 2025

Master Rock: Deep Listening
📍 Eden Court, Inverness
🗓️ 13 May 2025

Immersive Audio Lab
Bath Digital Festival
📍 No. 1 Bath Quays, Bath
🗓️ 15 May 2025

In The Dark: XMTR Listening Lounge
📍 The Grain Barge, Bristol
🗓️ 15 May 2025

Showcasing a new Curriculum Resource: Tape Letters Scotland
📍 Online
🗓️ 15 May 2025

Tiziana Alocci – Data as a Sonic Act [talk]
All Flows
📍 MK Gallery, Milton Keynes
🗓️ 15 May 2025

Maël Hénaff – Orchestra of Chaos
All Flows
📍 MK Gallery, Milton Keynes
🗓️ 15 May 2025

An-Ting & Ian Gallagher – Lost Communications 失絡之聲
Norfolk & Norwich Festival
📍 Immersive Visualisation and Simulation Lab, Norwich
🗓️ 15–16 May 2025

Yuri Suzuki - Sound Sculpture [talk]
All Flows
📍 MK Gallery, Milton Keynes
🗓️ 16 May 2025

Studio Dumbar/DEPT® – Sound follows Motion, Motion follows Sound [talk]
All Flows
📍 MK Gallery, Milton Keynes
🗓️ 16 May 2025

Paul Vivian talk (sound and stones) [talk]
The Lithic Gathering
📍 School of Digital Arts, Manchester
🗓️ 16 May 2025

The Late Shows: Resounding Diasporic Sonic Worlds
📍 The NewBridge Project, Newcastle
🗓️ 16 May 2025 (6–10pm)

Henna Asikainen – Lintukoto/Haven
📍 Peter Scott Gallery, Lancaster
🗓️ 24 March – 16 May 2025

Palestinian Sound Archive
📍 Yes, Manchester
🗓️ 17 May 2025

International Drone Day 2025
📍 Gulbenkian Theatre, Canterbury
🗓️ 17 May 2025

Aengus Kennedy – Dawn Chorus (Sound) Walk
📍 Glenveagh National Park
🗓️ 18 May 2025

Ambient Afternoon (Chuter, Akira Sileas, Circles in Circles, Andrew Heath, Sow Clinic, Chris Sciacca, Rob and Veronique Palmer)
📍 The Museum of East Dorset, Wimborne Minster
🗓️ 18 May 2025

Kaya Erdinç & Ellie Ford – [silent] tone moving in sequence [sjtill]
📍 Listen Gallery, Glasgow
🗓️ 09–22 May 2025

Emma Critchley – Soundings
Brighton Festival
📍 Attenborough Centre for the Creative Arts, Brighton
🗓️ 16–23 May 2025

Shortwave Collective – Great Waves
Norfolk & Norwich Festival
📍 PRIMEYARC, Great Yarmouth
🗓️ 09–25 May 2025

Jaki Irvine: Ssh Ow
📍 De La Warr Pavilion, Bexhill-on-Sea
🗓️ 22 Feb – 26 May 2025

gobscure – you have already survived [exhibition]
📍 ARC, Stockton-on-Tees
🗓️ 25 Apr – 30 May 2025

Mike Collier
Chroma
📍 Redcar Contemporary, Redcar
🗓️ 08–31 May 2025

Leap Then Look – Play Interact Explore
📍 BALTIC, Gateshead
🗓️ 12 Oct 2024 – 01 Jun 2025

Andy Cluer – Moorland
📍 Kingsgate Project Space, London
🗓️ 16 May – 07 Jun 2025

See Here Now: Art in a Time of Urgency
📍 Grizedale, Lake District
🗓️ 04 April – 08 June 2025

Imran Perretta – A Riot In Three Acts
📍 HOME, Manchester
🗓️ 22 Feb – 08 June 2025

Sound and Silence: An Exhibition of Contemporary Bells
📍 MAKE Southwest, Bovey Tracey
🗓️ 22 March – 14 June 2025

Prototypes for Cyborgs – A Space Opera
📍 Regional Cultural Centre, Letterkenny, Co. Donegal, Ireland
🗓️ 12 April – 14 June 2025

Phil Coy – Sixty Beats Per Minute
📍 St. George's Church, Ramsgate
🗓️ 02 May – 29 June 2025

In Between Time – BIRD
📍 Tyntesfield, Bristol
🗓️ 02 May –29 June 2025

Paul Nataraj – Blue and White Through Thick and Thin
Rovers – 150 Years
📍 Blackburn Museum and Art Gallery, Blackburn
🗓️ 09 April – June 2025

Colin Woods - I Just Called
📍 Belfast (various libraries)
🗓️ Oct 2024 – June 2025

Glasgow Requiem: The Walk – communal walks
📍 St. Mungo’s RC Church, Glasgow
🗓️ 03 May – 28 June 2025 (every Saturday at 2pm)

James Bulley – The Mother Goose Series
📍 The Glasshouse, Gateshead
🗓️ 23 April – July 2025

Resounding Diasporic Sonic Worlds: Archives of Music, Resistance and Community
📍 The NewBridge Project, Newcastle
🗓️ 10 May – 19 July 2025

Mishka Henner & Emily Speed – Energy House 2.0
📍 Castlefield Gallery, Manchester
🗓️ 04 May – 20 July 2025

Martin Barraud – Echoes – Halo of the South
📍 Marina Curve, Dover
🗓️ 16 April – summer 2025

Mary Hooper – The Sun Feeds the Wind
📍 Hastings Contemporary, Hastings
🗓️ 29 March – 14 Sept 2025

The Secret Lives of Bottle of Notes: Claes Oldenburg and Coosje van Bruggen📍 MIMA, Middlesbrough
🗓️ 14 March – 05 October 2025

Maureen Jordan – On The Lookout
📍 The Himalayan Garden and Sculpture Park, Yorkshire
🗓️ 08 April – 02 November 2025

Ann Hamilton - We Will Sing
Bradford 2025
📍 Salts Mill, Bradford
🗓️ 03 May – 02 Nov 2025

ORIGIN
📍 Dunham Massey, Altrincham
🗓️ 03 May – 02 November 2025

A Field Hospital for Eco-Anxiety
📍 Dunham Massey, Altrincham
🗓️ 03 May – 02 November 2025

Sophie Cooper & Babs Smith – Immersive Greenbooth
📍 Greenbooth Reservoir, Rochdale
🗓️ 03 May – 04 Nov 2025

Lizzie King – Connecting the Tree and the Foot
Fragments of Time
📍 Salford Museum & Art Gallery, Salford
🗓️ 22 March – 21 Dec 2025

Heather Mullender-Ross – All the Better to Hear You With
📍 Allan Bank, Grasmere, Lake District
🗓️ 01 April – 21 Dec 2025

Resonant Forms
📍 The Hepworth, Wakefield
🗓️ 08 March 2025 – January 2026

Marshmallow Laser Feast – You:Matter
📍 National Science and Media Museum, Bradford
🗓️ 03 April 2025 – 22 February 2026

Soundmarks York
📍 DIG, York
🗓️ on-going

Jamie Jenkinson – Nattering
📍 Millom Library, Cumbria
🗓️ on-going

Susan Philipsz - By Sound Near Seawall
📍 Whitehaven Harbour, Cumbria
🗓️ on-going

SoundEscapes
📍 Sainsbury Centre, Norwich
🗓️ 06 Dec 2024 – on-going

Justin Wiggin – Echo Point
📍 Royal Cornwall Hospital, Truro
🗓️ 20 January 2025 – on-going

Glasgow Requiem: The Walk
📍 St. Mungo’s RC Church, Glasgow
🗓️ 17 April 2025 – 2028

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These listings are created by the Sound Arts UK team in an effort to support the UK sonic arts community and to help bring the artform to a wider audience. Our focus is to cover the work of under-represented artists. If you find these listings useful please share!

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Thank you for reading! 🔊